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What ive heard kinda sounds like a drugged-up extended version of the music played during the rounds of a game show. In a good way
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I still didn't get around to listening to this. Am I missing something if I say that I haven't got a clue about James Ferraro doing minimal synth stuff?
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I know that you internet witches like to fuck with me, but seriously, have you really got ears shaped like bad origamis or what?
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it's not really minimal synth, it's more like cluster or klaus schulze had they grown up in the 80s played nintendo and watched teenage mutant ninja turtles and 80s educational TV programs for kids.
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Like I said, it really sounds nothing like Ferraro, to me. And I'm quite familiar with both artists. Ferraro has done all sorts of interesting things, really beautiful ambient and some stuff that leans more towards collage-stuff, I'd say a lot of his stuff is quite minimal but that's about it.
ONEOHTRIX.. not all of his stuff is "minimal", but Betrayed in the Octagon is, and worthy of a listen (and it's short too). |
Will I feel like waiting for James Ferrari's dad dressed like a Ninja Turtle if I listen to this?
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if you grow an afro & a weak moustache then yeah
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He looks like all my fellow compatriots if they never played minimal ninja turtles videogames music, so I might give it a go.
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james ferraro was the first name that came to mind, whatever, i could have said ducktails, or sun araw, or dolphins into the future or whatever as a general approximation of style. OPN has more in common with those than it has with say, hunter gracchus, or kito mitzutani rouber, or xnobbqx, for example of other bands who don't belong to any easily identifiable genre and you might use as a short hand way of giving an approximate comparison or indication as to what style of music another artist plays. |
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sell people blank tapes but with art work so they look like they aren't blank, sell people mixtapes of stuff in your collection but say it's a special mix of your own stuff, give your previous releases new names and art work and sell them as new releases. |
Heh, well, Sun Araw sounds nothing like any of this stuff, to me. Ducktails, also (who I find kinda just mediocre, along with Wet Hair), doesn't really have much in common with OPN, to me. I guess all of it is a bit, um, lo-fi electronic exploration stuff, but there's a lot more going on with their stuff (and I don't mean that in a good way).
I can see why you lump all that stuff together, but eh. I wouldn't lump OPN with any of that stuff really. I would probably lump it with Infinity Window, Emeralds, Imaginary Softwoods, Lilypad... stuff like that... |
detroit techno mid 80s.
thats how he sounds. |
...uh?
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Bal, are you sure we're talking about the same Oneohtrix point never?
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mariachi polka.
that's how he sounds. |
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yeah i was waiting for someone to ask this but yes its the same guy im talking about. tehcno nowdays and techno back then is 2 different worlds. classic techno artists (mainly from detroit in in the mid 80s) have pioneered with a similar kinda musical style. they often made that sort of futuristic ambient kinda synth music, in wich often the roland juno 60 synth gave the core of the music.. check out some derrick may (very short clip unfortunatly) or early carl craig for example (this beeing a bit different tho) but global communication (from 90s london) have come up with also a similar kinda vibe... and the list goes ooooooooon.... |
That Derrick May stuff sounds marvelous.
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I haven't listened to this yet. Are they influenced by Scissor Shock, by any chance?
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totally agreed. sun araw is more lo-fi guitar jams influenced by beach/weed/african/dub stuff... ducktails is just indie/retro/synth/beach pop... OPN is more closely related to Emeralds and all their 80s kraut/synth influences... |
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