Originally Posted by Genteel Death

It also doesnt sound anything like Derek Bailey.



Did Orcutt tell you to mention Bailey, Taylor and Gould? If so, maybe Orcutt should have written the review. Youve already demonstrated a lack of interest in (or perhaps aptitude for?) serious critical rigour. No need to actually review the music when the artist is feeding you lines about it.



One of my gripes with academic music theory is that its proponents see no problem writing a paper, publishing a book, or teaching a class that contains lots and lots of evidence and no point. Nothing to prove. I dont need to hear someone rattle on about a harmonic analysis of Wagners Tristan And Isolde if that analysis isnt going to lead to anything about Wagners cultural or historical significance. With your review of A New Way To Pay Old Debts you have done the opposite. Youve made a series of assertions about a works significance without providing one bit of real evidence. For shame.



Christopher Riggs Michigan, USA

Originally Posted by Genteel Death

Video made by Bill Orcutt.

http://vimeo.com/625460
Ever wondered what a web site sounds like? Not the words, but the actual data on the site itself? Here's a Lily application that let's you "play" the data in a web page like an instrument.

When the patch starts, the browser enters a DOM inspection mode and mousing over a DOM element highlights the node. Clicking on a node writes the element's data (its innerHTML value if it's a text element or the binary data if it's an image) as a sound file and the file is then loaded in a quicktime player in the patch. The sounds can then be triggered using OSC messages. While a DOM element is "playing", the browser scrolls to and highlights the element with a thick black border.

In the video, I'm spazzing out on the NY Times homepage using the monome controller, but the demo should work with any OSC enabled controller. Sound conversion code based in part on a javascript port of the baudio project.

Originally Posted by semutahed

Realize this post is now older than the hills, but thought I should give credit where credit is due...

Christopher Riggs is an experimental artist who releases usually under his own name and has his own label: Holy Cheevers Tapes

Peace