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Old 07.01.2010, 02:11 AM   #24
atsonicpark
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Join Date: Apr 2006
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atsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's asses
I got one more song left to record for this new monster and I'm officially done. I can't wait for people to hear it. and it's nice that it seems like some people are actually anticipating it. Absence makes the heart grow fonder?

Anyway, I just did a 9 minute track that is definitely the most complex, challenging, abstract, and bizarre musical recording I've ever heard, let alone played on. It changes time, instrumentation, tuning, tempo, etc. on a dime, has about 80 different instruments playing, including some of Harry Partch's! I have spent the last 2 years writing this song and recording it was an epic bitch, trying to get everything to sound right. But it's all there.. sax and trumpet solos, a retarded ass broken drum machine that only keeps time properly when it wants to, a detuned fretless bass, detuned tremolo picked and finger tapped riffs, parts jumping from 7/4 to 4/4 to 3/4 to 7/4 to 4/4 to 19/11 in the course of a second or two, layers and layers of synths battling for supremacy, chopped up robot vocals, female vocals singing the same notes an acoustic guitar is playing, junk/trash can percussion, finger picking acoustic guitars, crazy organ lines. And that's just the first minute!
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