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Old 09.20.2010, 09:01 AM   #12481
noisereductions
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noisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's asses
Quote:
Originally Posted by atsonicpark
The older I get, the less I care about tired slashers like Terror Train. The first slasher film I ever had, and remember loving was MANIAC -- I guess that set an impossibly high standard! Haha. I still love shit like Don't Go in the House, Driller Killer, The Demon, New Year's Evil.. stuff with a extremely weird/dark atmospheres, creative editing, and stuff going on besides "guy going to a dorm and killing people" (the weird psychic link stuff in the Demon, as well as the most unexpected demise of a main character ever; New Year's Evil's superweird vibe, Don't Go in the House's "disco scene" and bizarrely unapologetic flamethrower-to-nude-girl scenes, Driller Killer's brilliant use of sound and color). Without those hooks, they just kinda bore me... On the other hand, giallos still do it for me, because those are usually creative, stylish, and mind-warping.

Slashers are my absolute favorite genre. I think everybody on here knows that. Anyway, I never thought Terror Train was all that great, really. It's pretty so-so. Pretty unforgettable.
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