View Single Post
Old 11.08.2010, 01:09 PM   #28
Glice
invito al cielo
 
Join Date: Mar 2006
Posts: 12,664
Glice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's asses
Quote:
Originally Posted by Toilet & Bowels
i think albini is great when producing the right bands, e.g. the jesus lizard, zeni geva, low

I think Albini is a poor producer precisely because of that 'when he's good, he's good' thing. He did a shit job of Melt Banana, MoAM, Stooges... bands with relatively simple sounds who don't really need much. JL have a simple sound, but one to which Albini is sympathetic. That Tzadik record of Melt Banana (MxBx 10,000...) is a good example of how to produce them, and Charlie another (in a different way). In fact, making a band who seem responsive to such variation in production sound like utter shit is precisely my problem with Albini.

Unlike, say, Rick Rubin, whose production work made Reign in Blood, Licensed to Ill, Nation of Millions, The Black Album, those last Johnny Cash albums [etc] all sound great in very different ways. Ok, there's probably some shite in his discography, but I'd imagine it's shite because of the musical content (Mel C) rather than the producer.
__________________
Message boards are the last vestige of the spent masturbator, still intent on wasting time in some neg-heroic fashion. Be damned all who sail here.

Quote:
Originally Posted by Savage Clone
Last time I was in Chicago I spent an hour in a Nazi submarine with a banjo player.
Glice is offline   |QUOTE AND REPLY|