Quote:
|
Originally Posted by Severian
Ok, I'm showing my own ignorance here, but when did Parish become involved with her solo albums?
I know he was in Automatic Dlamini, and I know they released A Woman a Man Walked By and Dance Hall at Louse Point (both great albums) together, but I'm woefully ignorant of the extent to which he's been involved with her other albums.
If I'm reading what you're writing correctly, he's a regular collaborator? Was involved with Hope Six? Would you mind explaining a little more.
The only PJ albums I have on hard copy at this point in my life are Dry, Rid of Me, TBYML, Stories..., and Let England Shake, so I don't have access to many of the liner notes to check for myself.
Bought hope six on iTunes, but I think I'm gonna order a hard copy because it's just turning out to be a major fucking record for me this year. And I used to have her entire discography on cd or vinyl, but moving, navigating storage units and running afoul of ex-girlfriends who were in possession of my shit has lead to the unexplained disappearance of many of my cd's and LPs. 
Don't piss off your significant others and leave them with stashes of your personal belongings folks. I lost an entire comic book collection, a guitar, and about 300 albums to my previous girlfriend in 2007. Still stings. |
I think you should really read the liner notes of PJ albums closer. John is one of the producers in To Bring You My Love, Is This Desire, White Chalk, Let England and the new one, naturally of course Dance Hall & a Woman a Man. And he also playes a lot in all those albums heīs producer (in this new on every song). There are no mentions about arrangements, but I believe John is also at least one of the arrangers. And those albums I mentioned are the greatest one in PJ albums IMO.
About Johnīs solos, I think you donīt know heīs made also own solos. How Animals Move, Once Upon a little time (my favourite), She Chinese and Screenplay are all huge Records, really recommend them all to you!