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I'm excited. Part of me is always concerned that GOOD is going to end up being kind of a facade for mining talent, like OVO, without ever having a true roster of integral artists that aren't just being taken advantage of. But with Pusha at the helm, I think it's likely to succeed, and while I have no interest in a whole series of godforsakenly boring label comps like MMG's Self-Made, I think a high profile sequel to Cruel Summer with a similar approach, only, perhaps, less radio-ready, is just what the doctor ordered.
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