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the quickest way to build up a solid, rolling, harmonic feedback to to rhythmically tap behind the neck up and down with the strings left "open"
If you play with reverb, gain and tone settings you can get all kinds of different sounds from this one technique, making it probably the most versatile.
Wahs are good but I think they work best with a heay distortion, the gain rather low to not be overpowering, and a slight delay. This is can be fun for those long ambient feedback bridges that we all love so much.
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