Dear beautiful Patti says it best you know who I mean: "It goes beyond risk and hovers like an electric moth. There is no question no apologizing there is just a trust a bond with time and god their relentlessly relaxed method of getting it on and over the land of strain.... I write Smith Corona electric resting on a huge speaker pulsing "Heroin." It makes my fingers vibrate. Anything electric is worth it. We are the true children of Frankenstein we were raised on electricity.... The only criticize I got is the eyes the cover eats shit. Music like this so black and white so 8 millimeter should have been wrapped in the perfect photograph -- a Mapplethorpe still life: syringe and shades and black muscle tee. L.R. + V.U. 69 are a kool creem oozing soothing mesmerizing like hypnos scooping wind down pain mountain. This double set is completely worth it not a bad cut always with it. It will relax you help it all to make sense the Sixties ended in a sea of warm puke delicate enough to be called art. And it was LIVE man with a few scattered rounds of slack applause a product as perfect as the mutualated victim. Theres no difference between after the murder and apres the perfect perform. And if Lou dont remember how it felt to shell it out you will not soon forget how it feels to hear. When the musics over and you turn out the light its like . . . coming down from a dream."
That's from her review in CREEM, 1974. Listen to something Patti likes and feel a part of the revolution, kids. Yes.