|
The acoustico back and forth feedback intro to Ghost Bitch.
Patti Smith's impassioned verbal intro to Hey Joe.
Steve Shelly's first snare during the intro to Pink Steam is one of THE best examples of genius timing that I have ever heard.
The suicide ride section of 30 Seconds Over Tokyo by Pere Ubu.
Kim beautifully purring "Hey Alice!... it's just a kitten" during Contre Le Sexisme.
The crisp sharp fizz of any Chrome track.
Elisa Ambrogio's voice on Shabbelai Tzevi/1666.
The "no no no no no no no no" on Not Bite (Rudolf Grey) by Red Transistor.
The impossibly romantic Sci fi lyrics of Moonage Daydream.
The opening chords of (She's in a) Bad mood.
The brittle scape of Stroke by Charalambides.
The black hole abyss that is Viking Blood by Double Leopards.
The cold chill thrill of Savage Sea by The Pop Group.
The chiming klang of Karen Koltrane.
The 'Sturm und Drang" of Montana Sacra II by Bardo Pond.
The way Richard Hell sings "Spurts" during Love Comes In Spurts.
Thurston's vocal during Satan Is Boring.
I could go on forever... that is the joy of music.
|