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Old 10.26.2006, 03:40 PM   #7
atari 2600
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atari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's asses
David: Live for the moment philosophy?
Robert: Well, you know I deal in abstraction and fantasy, but I know what reality is. I've been in jail before. I've been in fights. I've had my life threatened. I've been in hospitals a bunch of times. I've seen people die. I've had a lot of people die before me.
David: You've had a lot of really intense life experiences, and this is reflected in your work.
Robert: I'm just an old guy in tract home over in the Valley. My house looks just like everyone else's house.
David: Yeah, you know, I was really surprised at that. (laughter ) I think I was expecting a polished chrome house, with a giant nude woman on the roof wrapped in a huge taco shell. Why did you choose to live here?
Robert: I got the house at a good price years ago. I used to live over in Hollywood, right in the eye of the vortex, man-- taking drugs, and lots of parties in the Sixties. I was glad to get the hell out of there.
David: So what are you working on these days?
Robert: Well, I'm starting my next book-- Views from a Twisted Libido.
David: Is there a theme to the new series?
Robert: I'm getting a little more psychological material. That might interest you. Did you read my Zombie Mystery Paintings ?
David: Yup, you bet, savored it from cover to cover.
Robert: You should have enjoyed that.
David: I loved it. I thought it was brilliant.
Robert: Every painting was looked at in three directions.
David: Unless one reads the three titles and descriptions, they'll miss a lot of it. Zombie Mytery Paintings is one of my favorite books.
Robert: Those were really rough paintings-- a lot of gratuitous sex and violence. The reason they were so rough was because I had to compete with punk rock artists in LA and After Hours clubs in the early Eighties. So, the original idea I had for presenting this material was that I was going to have two psychiatrists interview me, and give their opinion on each painting. What I was going to do was this. In the first paragraph I would state the painting verbatim the way you look at it. Then the second paragraph would be from the very liberal gestalt psychiatrist. And then my third paragraph would be a behaviorist psychiatrist, like from the marine core, a very pragmatic idiot finder. So, I got in touch with a bunch of psychiatrists, and I had them go through a couple of pictures and give me their take on it. But everyone I talked to kept justifying everything. They just wouldn't cut me down. I couldn't get anyone to attack me. So I just wrote the whole thing myself.
David: You wanted them to say something like "this is obviously the product of a disturbed and diseased mind. As you can see there are several varieties of psychopathology evident here."
Robert: Yeah (laughter ), yeah, right. Someone ought to take me and put me in the presence of my mother and have me describe this thing of how I treat women. (laughter )
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