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Old 01.01.2007, 01:46 PM   #24
atari 2600
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atari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's asses
Quote:
Originally Posted by porkmarras
John Lennon a communist?What fucking planet do you live on?
John Lennon, certainly, as you pointed out, wasn't a communist. But he also wasn't a narrow-minded individual either, and thus he was interested in communism quite a good deal. He felt that in pure philosophy, communism was fairly instructive and a Yin to capitalism's Yang.

Tariq Ali: Your latest record and your recent public statements, especially the interviews in Rolling Stone magazine, suggest that your views are becoming increasingly radical and political. When did this start to happen?
John Lennon: I've always been politically minded, you know, and against the status quo. It's pretty basic when you're brought up, like I was, to hate and fear the police as a natural enemy and to despise the army as something that takes everybody away and leaves them dead somewhere.
I mean, it's just a basic working class thing, though it begins to wear off when you get older, get a family and get swallowed up in the system.
In my case I've never not been political, though religion tended to overshadow it in my acid days; that would be around '65 or '66. And that religion was directly the result of all that superstar shit - religion was an outlet for my repression. I thought, 'Well, there's something else to life, isn't there? This isn't it, surely?'
But I was always political in a way, you know. In the two books I wrote, even though they were written in a sort of Joycean gobbledegook, there's many knocks at religion and there is a play about a worker and a capitalist. I've been satirising the system since my childhood. I used to write magazines in school and hand them around.
I was very conscious of class, they would say with a chip on my shoulder, because I knew what happened to me and I knew about the class repression coming down on us - it was a fucking fact but in the hurricane Beatle world it got left out, I got farther away from reality for a time.
TA: What did you think was the reason for the success of your sort of music?
JL: Well, at the time it was thought that the workers had broken through, but I realise in retrospect that it's the same phoney deal they gave the blacks, it was just like they allowed blacks to be runners or boxers or entertainers. That's the choice they allow you - now the outlet is being a pop star, which is really what I'm saying on the album in 'Working Class Hero'. As I told Rolling Stone, it's the same people who have the power, the class system didn't change one little bit.
Of course, there are a lot of people walking around with long hair now and some trendy middle class kids in pretty clothes. But nothing changed except that we all dressed up a bit, leaving the same bastards running everything.
Robin Blackburn: Of course, class is something the American rock groups haven't tackled yet.
JL: Because they're all middle class and bourgeois and they don't want to show it. They're scared of the workers, actually, because the workers seem mainly right-wing in America, clinging on to their goods. But if these middle class groups realise what's happening, and what the class system has done, it's up to them to repatriate the people and to get out of all that bourgeois shit.
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