Thread: Babel
View Single Post
Old 04.24.2007, 04:58 AM   #15
_slavo_
invito al cielo
 
_slavo_'s Avatar
 
Join Date: Mar 2006
Location: Россия
Posts: 10,928
_slavo_ kicks all y'all's asses_slavo_ kicks all y'all's asses_slavo_ kicks all y'all's asses_slavo_ kicks all y'all's asses_slavo_ kicks all y'all's asses_slavo_ kicks all y'all's asses_slavo_ kicks all y'all's asses_slavo_ kicks all y'all's asses_slavo_ kicks all y'all's asses_slavo_ kicks all y'all's asses_slavo_ kicks all y'all's asses
Quote:
Originally Posted by !@#$%!
my problem with babel is that the fragmented style, which traces the gun, does not allow us to go too much into each individual character. it becomes something like 4 short-stories but i keep wanting more. still it was done brilliantly and economically from the point of view of narrative-- a lot is said with few but very meaningful shots & scenes.

yeah, the gun is something like a connection point between distant stories. In most of them, this connection works well (story of the Moroccan family vs. Brad Pitt's and Cate Blanchett's struggle), although for example the japanese story does not fit into the whole plot very well. (still a great story itself, as I have said before)

Nevertheless, I still think that the description of the characters in the movie is done very well (especially the Moroccan family, as well as the Mexican babysitter).
__________________



you're the boy

that can enjoy
invisibility
_slavo_ is offline   |QUOTE AND REPLY|