View Single Post
Old 05.29.2007, 09:35 PM   #14
atari 2600
invito al cielo
 
atari 2600's Avatar
 
Join Date: Mar 2006
Posts: 8,213
atari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's asses
Quote:
Originally Posted by Savage Clone
Max's scenario just strikes me as insanity.
In today's climate, the only advantages to being on a label lie in production, distribution and press coverage/promotion all being taken care of for you. Now, of course any one of these things is an advantage in and of itself, but the full package is what makes things alluring. Having to take all that financial risk really should be the burden of the people running the label. Press and promotion are valuable services, but production and distribution are where the expenses and risks really lie, and if you have to take on that risk you might as well start your own label so you can also reap the lion's share of the rewards should things go well for you. Obviously people are paying attention to you if you are being courted by anyone.

Yeah, seriously, I would write and send your kit to other music companies about the injustice just like you've written to us here. What have you got to lose? You've got some cred, you've got material, you've proven you're a hard-worker that wants to make music a career in that respect, so roll the dice. Maybe you'll contact a company that has some beef with the company trying to fuck you without lube, and they'll give you a shot out of spite.
atari 2600 is offline   |QUOTE AND REPLY|