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Old 08.10.2007, 09:38 AM   #13
Dead-Air
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Join Date: Dec 2006
Location: Portland OR
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Dead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's asses
Quote:
Originally Posted by Glice
Yet un-mentioned: Horatiu Radelescu, Iannis Xenakis, Kaija Sariaaho, Lutoslawski, Morton Feldman, Cornelius Cardew, Conlan Noncarrow, Schoenberg (really, you shouldn't forget him for any reason), Matsudaira, Toru Takemitsu, Takehisa Kosugi, Alban Berg (broaches 19th/20th century), Debussy (same), George Gershwin (mysteriously, I think he's utterly brilliant)...

There are others I've inevitably forgotten.

Well, I did mention Xenakis actually. My list is just personal favorites, there are plenty of other who are arguably more historically significant than some of the ones I listed. Particularly as I'm biased towards electronic and experimental/avant garde and less toward neo-classicism, though there's some incredibly great music to come out of both. Schoenberg (and I'm not claiming he's neo-classic at all since he invented the twelve tone scale!), while not somebody I've listened to as much personally, certainly is a majorly important influence on all of music to come afterward. Even those who rejected his innovations still had to react to them.
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