View Single Post
Old 09.06.2007, 02:16 PM   #18
Glice
invito al cielo
 
Join Date: Mar 2006
Posts: 12,664
Glice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's asses
Quote:
Originally Posted by Toilet & Bowels
yeah, i thought about mentioning that but i didn't think it would be of much interest to people who aren't already aware of it. although it could just be because i'm not much into that stuff myself, while i think otomo and tetuzi akiyama both have the capacity for awesomeness the likes of taku sugimoto and sachiko m, well, i just don't get it.

It's a funny one, for sure. There's plenty of interesting stuff in there but a lot of it is just... interesting. It's all of the Wire-y post-Bailey improv and electronic/ sound-art/ found sound/ sound-walks type thing. The problem is that for every Aki Onda there's a Haco. It doesn't really matter which of those I actually like (Haco), and I think that's sort of the point. You get it, you download some things, you're entirely turned off by some of it, and then you get a record like Bugscape (in my case) which, in spite of being made from the most 'arty' of viewpoints, is an incredibly good record. The compilations kind of taper off after 2004. And I'm very, very pissed off with reading about fucking Taku Sugimoto being 'ultra-radical' when he is, in fact, just shite.
__________________
Message boards are the last vestige of the spent masturbator, still intent on wasting time in some neg-heroic fashion. Be damned all who sail here.

Quote:
Originally Posted by Savage Clone
Last time I was in Chicago I spent an hour in a Nazi submarine with a banjo player.
Glice is offline   |QUOTE AND REPLY|