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Join Date: Mar 2006
Posts: 17
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More details.
The Ascension (1981).
Musicians:
Guitars: Ned Sublette, David Rosenbloom, Lee Ranaldo & Glenn Branca
Bass: Jeffrey Glenn Drums: Stephan Wischerth.
Symphony #1, Tonal plexus (1981).
Musicians:
Glenn Branca - Soprano & steel-wire guitars, Craig Bromberg - Tenor, soprano, bowed & octave guitar, Dave Buk - Trumpet, baritone horn, Ann Demarinis - Keyboards, percussion, Barbara Ess - Baritone & bass guitars, percussion, Robert Harrison - Soprano, tenor & bowed guitars, Thurston Moore - Tenor, soprano & bowed guitars, Lee Renaldo - Soprano & steel-wire guitars, David Rosenbloom - Baritone & steel-wire guitars, Richard Edson - Trumpet, Ned Sublette - Soprano, tenor & steel-wire guitars, Wharton Tiers - Keyboard, soprano & steel-wire guitars, percussion, Gail Vachon - Keyboard, Fritz Van Orden - Tenor saxophone, Stephan Wischerth - Drums, percussion, Margot Zvaleko - French horn
 Notes:
Recorded July 18 & 19, 1981 at the Performing Garage, NYC Produced by Lee Renaldo (assisted by David Linton, Wharton Tiers & Ann Demarinis).
Symphony #2, Peak of the sacred (1982).
Musicians:
Glenn Branca - Conductor (and harmonics guitars on tape), Craig Bromberg - Mallet guitars, Al Arthur - Mallet guitars and bass drum, Barbara Ess - Mallet guitars, Jeffrey Glenn - Bass, Sue Hanel - Mallet guitars, Robert Harrison - Mallet guitars, David Linton - Mallet guitars and bass drum, Thurston Moore - Mallet guitars, Lee Ranaldo - Mallet guitars, Stephan Wischerth - Drums, percussion, Z'ev - Concert bass drum and metal
 Notes:
Recorded live at St. Mark's Church, NYC on May 14, 1982 Live 2-track recording produced by Wharton Tiers and Lee Ranaldo All metal instruments played by Z'ev are his original creations. His performance as well is based entirely on his own unique concepts. The mallet guitars were designed by Glenn Branca and built specifically for Symphony No.2.
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