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Originally Posted by !@#$%!
MILLE PLATEAUX, YOU TARZAN: A MUSICOLOGY OF
(AN ANTHROPOLOGY OF (AN ANTHROPOLOGY OF A THOUSAND PLATEAUS))
John Rahn
University of Washington
First we critique the philosophy and practice of and around the book A Thousand Plateaus (TP)
by Gilles Deleuze and Felix Guattari. We show how its program of dissed organization, nonhierarchy,
transformation, and escape from boundaries at every moment resonates in harmony with some of its
modes of presentation and mentation, but dissonates with others. The Anthropological Gaze which
forms in the name of observation, and re-forms Us as it forms Them, is one of the nodes of TP’s
thought: the erotic, climax-free plateaus of some Batesonesque Balinese orgy. Even the structuralism of
Claude Levi-Strauss permeates TP in the form of a paradigmatic procedure of polar opposites (e.g. raw
vs. cooked in Levi-Strauss, territorialization vs deterritorialization etc. in TP). Is such a Gaze performed
by TP on us, or merely referred to by it? What is the nature of TP’s practice upon us?
Taking off from a series of articles by John Rahn and others, we will then further explore the
nature of this Platonically anti-Platonic practice by TP upon us as it affects the practice of music and
thinking about music.
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love the title... but is this guy seriously arguing that levi-strauss and deleuze+guattari share a "paradigmatic procedure of polar opposites?" ...beacause, while i dig excessive alliteration as much as the next academic, i'm pretty sure that
a) you could open a history of philosophy textbook to a random page, close your eyes and point, and you'd hit a set of polar opposites...
and secondly, i'm almost certain that rhizomes are the polar opposite of polar oppositions...