View Single Post
Old 01.07.2008, 01:43 PM   #32
themawt71
the destroyed room
 
Join Date: Mar 2006
Location: chicago
Posts: 571
themawt71 kicks all y'all's assesthemawt71 kicks all y'all's assesthemawt71 kicks all y'all's assesthemawt71 kicks all y'all's assesthemawt71 kicks all y'all's assesthemawt71 kicks all y'all's assesthemawt71 kicks all y'all's assesthemawt71 kicks all y'all's assesthemawt71 kicks all y'all's assesthemawt71 kicks all y'all's assesthemawt71 kicks all y'all's asses
sarramkrop-"I might be totally and utterly wrong on this but I have always imagined that the best artists have a way of organise their subconscious in an artistically productive way. I am also very aware that this is more the case with visual and aural artists, rather than, say, writers."


i think you are right on this. i would also say that the way they organize their consciousness as well has a huge effect.

pauline oliveros is a perfect example of this. her compostions tend to be attention strategies rather than say a collection of notes or textures written out before hand.

i would also say that the conscious and subconscious of the listener plays and equal role in the experience.

thank you
themawt71 is offline   |QUOTE AND REPLY|