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I love the early Eno stuff the best, but I still like the foray into adult contemporary. Ferry pulled off the dark irony side of it much better than Steely Dan did in my book. All the things that some people hate about later Roxy Music are what make them worthwhile for me, because it is a unique, calculated stance. But I can't help prefering an unschooled Eno making synth burps the most.
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