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I don't think theoretical imperatives are what he's after... I always think of him as one of those fantastically exuberent sorts who's well into doing stuff and doesn't worry too much about whether the result is that good - by which I mean his is a music of gestures. The one piece I know quite well La lontananza nostalgica utopica futura has loads of tracks of music that may or may not be heard, and the violinist is to move between music stands, scraping chairs and all that. It's all well and good in the concert hall, but on record those gestures are lost. His music seems to come from that world of the 50s where theatre and sound and dance and painting (etc) all occured simultaneously rather than in their own rarified spaces.
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Message boards are the last vestige of the spent masturbator, still intent on wasting time in some neg-heroic fashion. Be damned all who sail here.
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Originally Posted by Savage Clone
Last time I was in Chicago I spent an hour in a Nazi submarine with a banjo player.
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