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Old 04.09.2010, 07:22 AM   #22
noisereductions
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Join Date: Mar 2006
Location: New England, USA
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noisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's asses
I hate to quote Pitchfork, but really I think this paragraph pretty much articulates my thoughts on WU-MASSACRE:

The limitations of that turnaround are unmistakable on Wu-Massacre. The three stars appear on a total of three songs together, and the padding they needed to push the album beyond CD-single status is obvious from the credits alone: two skits, guest verses from nearly every Theodore Unit B-teamer (Sheek Louch sorta counts at this point), and three remakes. All to account for about 30 minutes of music.

I mean, yeah the brevity and unfinished sound was certainly a major complaint for me. But as they pointed out, the album is credited to Meth, Ghost & Rae... that was the major selling point. That's WHY we wanted this album. But Meth, Ghost & Rae really only completed 3 songs together. Then Def Jam had them add some filler to those 3 songs until it ALMOST hit the half-hour mark and called that shit a day. Perhaps it would be nice to actually someday hear a Meth, Ghost & Rae album that is a full album of those 3 together.
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