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Old 07.12.2007, 08:28 AM   #21
Tokolosh
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Almost all his films are great, so it's difficult to say...

1. La Dolce Vita
2. 8½
3. La Strada
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Old 07.12.2007, 10:02 AM   #22
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Quote:
Originally Posted by cuetzpalin
anyway.. the max of poll options is 10 and this sucks so.. discuss
  • Luci del Varietą (1950) (co-credited with Alberto Lattuada)
  • Lo Sceicco Bianco (1951) [1] [2]
  • I Vitelloni (1953) [3]
  • L'amore in cittą (1953) (segment Un'agenzia matrimoniale)
  • La strada (1954) Oscar (best foreign language film) [4]
  • Il bidone (1955)
  • Le Notti di Cabiria (1957) Oscar (best foreign language film) [5]
  • La dolce vita (1960) Oscar (best costumes)
  • Boccaccio '70 (1962) (segment Le tentazioni del Dottor Antonio)
  • (1963) Oscar (best foreign language film and best costume design)
  • Giulietta degli Spiriti (1965)
  • Histoires extraordinaires (1968) (segment Toby Dammit)
  • Satyricon (1969)
  • I clowns (1970)
  • Roma (1972)
  • Amarcord (1973) Oscar (best foreign language film)
  • Il Casanova di Federico Fellini (1976) Oscar (best costume design)
  • Prova d'orchestra (1979)
  • La cittą delle donne (1980)
  • E la Nave Va (1983)
  • Ginger and Fred (1986)
  • Intervista (1987)
  • La voce della luna (1990)


oooh i love you cuetzpalin. best poll ever.

i don't know where to start. give me a little time.
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Old 07.12.2007, 11:00 AM   #23
cryptowonderdruginvogue
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La Dolce Vita, La Strada, 8 1/2, Amarcord, Satyricon... all great.
cant choose.
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Old 07.12.2007, 08:40 PM   #24
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The end of Cabiria always gets me choked up.

But, if I may quote the asshole in line in front of Woody in Annie Hall, he is a very "self-indulgent" director. This is most obvious in his later work, but even in his neo-realist period he didn't always cut as much as he should.

As I look over the list, I really only dig three or four of his movies. As much as I appriciate the look of Sayricon, for example, I don't anticipate ever watching it again.

And let's be honest--his ADR sucks the big one. When he had a tiny budget, fine. I can deal with it. But by 8 1/2, it's just amaturish.

I don't mind slow movies. I love Bresson and Bergman. But Fellini is often not just slow--he's fucking BORING.
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