[blunderbuss]

interference
interference
the social registry tsr040 2xlp
street date: 01/26/2010

in recent years there has been no shortage of people trying to shine a light on the downtown nyc music scene of the early 1980s. a redrafting has occurred with each book or box set, with a cast list being based upon whatever recordings become commercially available. though this release might implicate us in this transgression, we would hope it at least challenges the convention, adding interference to that list and suggesting that revisionists might have left a few stones unturned.

forming out of the musical insurgence that was the noisefest at white columns gallery in 1981; interference coalesced around three key figures of new york’s downtown scene: anne demaranis, david linton and michael brown. demaranis had just parted ways with an early incarnation of sonic youth and co-curated the noisefest with thurston moore. linton had headed to nyc a few years earlier with then school/band mate lee renaldo, eventually hooking up with rhys chatham for a three year stretch. brown, then a twenty six year old phd candidate at nyu, had recently broke rank with rhys chatham and drafted a wholly unconventional percussive approach to the fender bass.

from their inception through their eventual fragmentation 30 months later, interference charted their course across the stages available to them: cbgbs, the mudd club, the kitchen, etc., ultimately swelling to a quartet with the addition of fellow rhys chatham veteran joe dizney. in 1982 they recorded this lp at radio city, engineered by don hunerberg (blondie, kiss, the ramones, sonic youth, live skull) and with guest appearances by elliot sharp and sue hanel (the swans). originally slated for release on josh baer and glen branca’s legendary neutral records, the record has remained unreleased, aside from a scant number of self-released cassettes.

after the bands demise, linton remained entrenched in the new york underground art and music scene, through involvement with the kitchen, the wooster group, and soundlab, which lead him to the early 21st century downtown electronic scene. it was from here that david recruited the remixers which make up the forward thinking companion lp of this release: david last, doily and criterion (broklyn beats), binsang aka toshio kajiwara (phenomena), qpe (agriculture) and the 8-bit gameboy tag team of bubblyfish & glomag.

this music, a quarter century old and born out of new york’s early eighties downtown music scene, still resonates with undiminished invention, and its merits are far beyond that of a musical artifact. with that the social registry is pleased to present the music of interference in its entirety for the first time. this deluxe double lp set includes both the original unissued lp, painstakingly remastered from the original master tapes, and couples it with an additional remix lp.

Tracklisting:

LP 1:
1. EXCERPT #1, VERSION 2
2. INTERLUDE 1
3. CONTEMPT
4. SHE SAID DESTROY
5. INTERLUDE 2
6. NUMBER FOUR

LP 2:
1. DISAMBIGUATOR (BUBBLYFISH & GLOMAG REMIX)
2. INTERFERENCE VS THE 13 DEVILS OF SYNCOPATION (DAVID LAST REMIX)
3. ALL OR NOTHING (DOILY REMIX)
4. QPE #5 DUB REMIX (QPE REMIX)
5. GLOBALIZATION REPORT MIXX (BINGSANG REMIX)
6. INTERFERIX (CRITERION REMIX)

Digital only bonus tracks:
1. EXCERPT #1, VERSION 1
2. NUMBER 4 (PIANO MIX)

PURCHASE THIS RELEASE

http://www.thesocialregistry.com/releases/tsr040B.html

[tesla69]

I saw this post at midnight last night and was inspired to pull out the super ltd 12" Social Registry put out a couple years ago featuring EXCERPT #1 b/w
CONTEMPT- this is really good stuff, I will definitely pick this up. Soundwise they certianly fit in with the SY/Branca downtown skag guitar scene but its distinctive, and doesn't sound 25 years old.

just hope the remixes dont' suck

[Toilet & Bowels]

the clip is great, thanks for posting

[toxic johnny]

Liking this a lot Mr BlunderB, thanks for the heads up...

[Tokolosh]

I like what I hear. Thanks blunderbuss.

[radarmaker]

Just been listening to this today and it's a real gem, even if it doesn't ever really improve on that one preview track. Had the album been released as originally intended in 1982, it would have slotted in nicely alongside the best of Neutral's other releases.
Shame the remixes are nothing to write home about though.

[chicka]

thoroughly enjoyed the Excerpt. definitely need to hear more

[stu666]

sounds good