08.30.2006, 10:34 PM | #1 |
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http://216.70.73.169/gossip/newthrea...=newthread&f=3
Just as R.E.M. will forever be associated with Athens, Georgia, Sonic Youth will always bring to mind downtown NYC. That it’s been eight years since Thurston Moore and Kim Gordon left New York for Northampton to raise a family hasn’t changed that any more than Peter Buck’s presence in Seattle for the past decade has. But for Moore in particular, the move has done little to slow down his extracurricular musical activities. “It’s a single-main-street sort of college town,” he says of Northampton when I catch him at home on break from Sonic Youth’s current tour in support of their new Rather Ripped (Geffen) — a tour that hits Avalon this Sunday. “And I think people just take our presence here for granted. We’re not the Chili Peppers or Pearl Jam or anything like that. And we certainly didn’t come here with any sense of entitlement. We bought a big-ass house here because we could afford it and we’d been stuck in a small apartment. Sonic Youth can rehearse in our basement, and we actually do perform around here quite a bit. We play these shows at the Flywheel, which is sort of a community center, and we’ve done benefits, things like that. But I’m not sure what kind of impact we’ve really had on the music scene except that it’s probably exciting for some people that Kim and I are here.” And outside of Sonic Youth? “I play with a lot of noise improvisers around here. To me this was always J and Lou’s town [Dinosaur Jr.’s J Mascis and Lou Barlow]. So it already had that kind of vibe to it. We keep a fairly low profile. I play in a lot of basements and kitchens and doughnut shops. I have two or three projects with a lot of these Hampshire College sort of people, like the Northampton Wools. It’s a community of psychedelic folk noise or whatever Wired magazine called the ‘New Weird America’ in that cover story. There’s a lot of that here.” Getting out of NYC has also given Moore time to focus on Ecstatic Peace, the label he launched in the early ’80s to release cassettes by friends like Lydia Lunch and Swans leader Michael Gira. “There really weren’t a lot of cassette-only labels at the time. And right now, those are my favorite releases. Half of what I write about are cassette-only releases from the underground.” He’s referring to the music column he co-authors with Byron Coley for Arthur magazine. “I think the sound quality is as good as if not better than vinyl.” Ecstatic Peace has also cultivated a more accessible side over the years, with releases like the debut album by the New York indie-pop trio Guv’ner. “It was never apparent exactly what the æsthetic of the label was. And whenever I put out more sort of pop records, I’d get a lot of heat from certain quarters of the avant-garde police. But with my touring and family schedule, it became this thing that would sleep for periods of time.” That’s changed over the past year. A chance meeting with Andrew Kesin, a musician/Web designer from Boston who’d moved to Northampton, led to www.ecstaticpeace.com and jump-started the label’s activities. “We’d document all these bands coming through town, and we started getting lots of traffic. I had a bunch of projects that had been piling up on my desk — stuff I wanted to give a higher profile to. I didn’t want it to end up as dead stock in my basement.” The result was a deal with Universal, the multinational major that owns Geffen, which Sonic Youth have been with since 1990. Moore can still release avant-garde projects on his own through the Web site. Or, using modest Universal promotional budgets, he can put albums like the Montreal-based Tam’s Tam and Black Helicopter’s Invisible Jet through Universal indie distributor Fontana. And in the rare case — the buzzed-about Nashville-based Be Your Own Pet, for example — he can bring a band straight to Universal. “Basically we do things through Fontana. But I also have to continue to do the really outsider stuff because that’s my history.” Moore has two of those in the pipeline: albums by fellow SY guitarist Lee Ranaldo and the Boston-based avant duo Secret Diary. SONIC YOUTH | Avalon, 15 Lansdowne St, Boston | September 3 | 617.228.6000 |
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08.30.2006, 10:45 PM | #2 |
bad moon rising
Join Date: Mar 2006
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Ah, again the Lee Ranaldo Solo Record is dangled in front of our eyes... If anyone meets Lee at a show in the near future, please ask him how close this record is to being finished and released.
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08.30.2006, 11:17 PM | #3 |
the end of the ugly
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At one show, Thurston jokingly told the audience that Lee was going to release a solo album in the near future. He announced Lee's e-mail (which was fake, of course, or maybe not) and told people to e-mail him if it wasn't out within a year. Lee laughed and said the wasn't his e-mail.
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08.31.2006, 09:57 AM | #4 |
the destroyed room
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Location: Amherst, MA
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I like Northampton, i think it's pretty. I'm not quite sure if that comment was random or not given the discussion...
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08.31.2006, 10:25 AM | #5 |
invito al cielo
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Interesting info again. Thanks.
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08.31.2006, 04:51 PM | #6 |
100%
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Doesn't Mike Mills from R.E.M. live in NY now?
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08.31.2006, 11:49 PM | #7 |
expwy. to yr skull
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Seattle/New York. What's the difference? I think it's cool that Thurston can still exist in a small college town and continue to create the genius that is Sonic Youth. I'd love to see Thurston or Kim or J or Lou just casually stroll down the street of a small town like Northampton or Amherst and be like every other normal person. It must be nice to do that. I'm sure if he were in a more popular band or at least one that had a more mainstream sound, he would be bothered a lot on the streets. Now he can just go about his business.
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