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#221 |
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#222 |
invito al cielo
Join Date: Mar 2006
Location: Baltimore
Posts: 7,808
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Wow, thanks for those, krop!!!
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Confusion is next and next after that is the Truth. |
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#223 |
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Sufi Music Part 1
http://www.youtube.com/watch?v=q9_RzdUfaWs Sufi Music Part 2 http://www.youtube.com/watch?v=Bqpg2...elated&search= |
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#224 | |
invito al cielo
Join Date: Mar 2006
Posts: 12,664
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It's banal to say, but "You must [etc etc]"
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Message boards are the last vestige of the spent masturbator, still intent on wasting time in some neg-heroic fashion. Be damned all who sail here. Quote:
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#225 |
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Thanks!
Ustad Nusrat Fateh Ali Khan Live in Pakistan! "Javed Nama" qawwali http://video.google.co.uk/videoplay?docid=-3749437580626161213&q=type%3Amusic_video+OR+genre% 3Amusic+duration%3Along |
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#226 |
stalker
Join Date: Mar 2006
Location: Shizuoka Prefecture, Japan
Posts: 457
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don't know if this has already been posted, but...
http://www.asianclassicalmp3.org/
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言わぬが花 |
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#227 |
children of satan
Join Date: May 2007
Location: MPLS
Posts: 295
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Can anyone recommend a blog featuring traditional japanese music?
Oh, btw, the asianclassicalmp3 site seems to be down. |
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#228 |
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#229 |
stalker
Join Date: Mar 2006
Location: Shizuoka Prefecture, Japan
Posts: 457
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I've been thinking for a long while that this is the greatest song in the history of the universe: http://rapidshare.com/files/37663185/15_Mu_Nohn_Taan.wma.html
what do you think? stolen from: ![]() Sorry about the wma format. I suck at computers.
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言わぬが花 |
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#230 | |
stalker
Join Date: Mar 2006
Location: Shizuoka Prefecture, Japan
Posts: 457
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Pandit Pran Nath - Ragas of Morning and Night
Quote:
http://www.ubu.com/sound/nath.html
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言わぬが花 |
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#231 |
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http://www.raghasmusic.com/
Welcome to Raghasmusic.com! Dr. Krishna Raghavendra is an international performing artist, composer, and producer of both traditional and contemporary Indian music. He is a virtuoso on the Veena, a traditional plucked stringed instrument from South India. His veena is custom made to be detachable. Dr. Raghavendra has developed novel playing techniques, which involve a combination of soft nuances, swift fingering and imaginative uses of melodic and drone strings to produce harmonizing and vamping sounds that mimic different instruments. He is the founder of the Ragha School of Music, an institution primarily devoted to promoting and integrating Indian music with western and other forms of music. He has released several original recordings and leads the "Raga and Rhythm Ensemble" (RARE). He has composed and played music for several theatre productions. ![]() |
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#232 | |
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Quote:
Awesomism. |
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#233 |
invito al cielo
Join Date: Mar 2006
Location: Omaha, Nebraska, USA
Posts: 3,063
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I've been neglecting this thread lately, that is, I haven't contributed anything. But I have been mooching off the great stuff you guys have been posting, which has been, as always, outstanding.
This is not exactly sharing as much as showing, but PRI (Public Radio International)has an enjoyable program called Afropop Worldwide that plays some bizarre and strange music, and sometimes profiles a particular artist or country. Always nice to listen to, especially when you're online, and doing nothing (which I assume the case may be for many around here). Podcasts can be downloaded from here: Public Radio International Podcasts |
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#234 |
invito al cielo
Join Date: Mar 2006
Location: Omaha, Nebraska, USA
Posts: 3,063
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#235 |
stalker
Join Date: Mar 2006
Location: Shizuoka Prefecture, Japan
Posts: 457
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Pekos/Yoro Diallo
Yaala Yaala is a new imprint on the Drag City label dedicated to releasing unheard world music of the local, non-commercial, do-it-yourself quality. Still in its infancy, the series has produced three records since the beginning of 2007: Pekos/Yoro Diallo (YY001), va - Bougoni Yaalali (YY002), and Daouda Dembele (YY003). Founder and manager Jack Carneal has written the following in his Yaala Yaala mission statement: I learned very quickly that there was a huge gulf between what many people out in Bougouni listened to and what was being exported to the West; many local Malians made dismissive sounds with their mouths when I mentioned the above musicians [Oumou Sangare, Ali Farka Toure, Salif Keita, Toumani Diabate, Habib Koite]. Many of the cassette vendors I got to know stared blankly when I asked about certain artists. … ![]() As for the music, this is truly fascinating stuff. Pekos and Yoro Diallo stretch out over four lengthy duets, performing on electrified ngonis with others adding minimal percussion. Think Toumani Diabate's albums but much less polished, musically and technically. The two players supposedly rigged mics directly to the insides of their ngonis -- hollowed out gourds -- and connected them to a preamp from which this music was put to tape. Thankfully there aren't many instruments in the mix, because the sound is distorted with hisses, fuzz, and screeches. But unless you're a dedicated audiophile, you'll find yourself overlooking the production values as Pekos and Yoro Diallo duel on their African lutes and trade rough vocal yells; as Carneal remarks, the two are most likely "reciting litanies of names... [like] how great Coulibaly is, Sidibe is, what a strong man Traore is, etc." Generally, one ngoni takes the place of rhythm guitar, creating a simple vamp off of which the second ngoni can create various harmonies and improvisations, plucking furiously to create an abrupt, staccato effect. One can hear this clearly on track two, as a first lute produces a delicate melody carried along by the second's terse bass line. The clattery, metallic percussion -- sounding like some kind of shekere or cabasa -- causes the music to speed up significantly, to the great joy of the audience. On track three, one of the singers urges on his partner, cajoling him to play cascades of notes, arpeggios and frantic two-chord patterns on the ngoni. The instruments on track four sound out of tune, deliberately or not, and play a bluesy riff that would make John Fahey proud. At times the notes fall like repetitive hammer blows, at others the two relish in making their sounds bend and waver. Sprawling out for twenty minutes, the final selection ends with Pekos' and Yoro Diallo's harsh yelps, the music becoming dirge-like -- perhaps aiming to put the listener into a trance. Just beginning to reach its apex, however, the music ends abruptly, as if the infectious rhythms would continue long after the stereo goes off.
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言わぬが花 |
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#236 | |
invito al cielo
Join Date: Feb 2007
Posts: 18,510
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Quote:
Wow, what a little gem. Thanks |
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#237 | |
Posts: n/a
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Quote:
Ace. Thanks. |
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#238 |
the destroyed room
Join Date: Sep 2006
Location: In the O.. O.. Organ Loft, West Yorkshire, UK
Posts: 553
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I love this thread. You are all beautiful.
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#239 |
invito al cielo
Join Date: Apr 2006
Location: Plaza de Toros
Posts: 6,731
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![]() Some great recordings (ca. 1974) of local music from Gudacanal and Savo. Recorded by Hugo Zemp http://rapidshare.com/files/4733092/PDISall.zip
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Anything you can /imagine is real |
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#240 |
invito al cielo
Join Date: Apr 2006
Location: Plaza de Toros
Posts: 6,731
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![]() Chidambaram-bangbang-boom-chk-boom "Recordings from 2000-1 and affiliated to the temple of Chidambaram (dedicated to Shiva but also to Vishnu), the ritual music ensemble Periya Męlam sounds vibrant and penetrating with its nagasvaram oboes, tavil drums and talam castanets, the voice of the gods." http://www.megaupload.com/?d=LXJSQWK4
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Anything you can /imagine is real |
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