[!@#$%!]

earlier

 

later

 

[guest]

Originally Posted by Antagon

 

such an insanely good record, pure balm.

[guest]

Originally Posted by choc e-Claire

 

as above

[choc e-Claire]

 

Happy birthday Thom

[The Soup Nazi]

Can this thread rock out for a change? Fuck!

 

[Antagon]

Angel Olsen - All Mirrors (2019)

 

[Antagon]

 

[Severian]

Originally Posted by Antagon

Angel Olsen - All Mirrors (2019)

 

Phenomenal album.


Just ... seriously one of the best releases of the year, I think.

[Bytor Peltor]

Flanch - Flanch

......sounds like backing tracks to a unreleased Price album.

[Antagon]

 

[Antagon]

 

[choc e-Claire]

 

[Genteel Death]

Taco City Rockers LP Compilation

Tracks:
1. Menudocide- Taco City Rockers (1993) 0:00
2. Shit Magnets- Big Woman Touch (1987) (not here)
3. Mystery Dates- Man in the Middle (1982) 1:54
4. Smart Dads- Reality (1981) 3:35
5. Raging Woodies- Duh (1985) 7:06
6. Paul Love- Tough Guy (1994) 8:30
7. Marching Plague- Who Cares (1982) 11:00
8. Toe Jam- Maria (1985) 12:43

Originally released on guacamole-green colored vinyl by Kaniption Records from San Antonio, TX in 1995

Limited pressing of 500, all covers hand-made out of mexican food restaurant to-go menus
https://www.youtube.com/watch?v=dodU78eR7FE

[Antagon]

Originally Posted by Severian

Phenomenal album.


Just ... seriously one of the best releases of the year, I think.

In a way I understand the sentiment. A lot of the harmonies on this album are stunningly beautiful, it always brings in something new and isn't very repetitive and of course, she's a very gifted vocalist. I'm not completely sold yet though. But I'm a bit biased there. I went in mostly knowing and appreciating her early stuff. So the transition from Folk singer with minimalistic arrangement and a focus on the extraordinary voice to full-on Operatic Pop with electronic touches was a bit jarring. As was the case with the new Weyes Blood Album, my major issues are with some of the choices on the production side. Angel has a really great voice and it really did shine in some of her more folky songs. This album utilizes a lot of reverb and her voice kind of gets buried below a lot of the layers of production. Also, since this seems to be a bit more pop-oriented, I found that there are a lot less sections where she uses her pipes as an instrument like she used to do. I thought that it was more singing along as opposed to really putting herself out there on quite a few of the tracks. Towards the end there are one or two tracks that buck that trend though, which made me happy. Anyway, I'll listen to it again. And I can see myself possibly loving it in the future, but right now it takes some getting used to. But maybe it's on me for missing the transition and having very specific and outdated expectations.

Edit: "Lark" however is amazing and stands toe to toe with Weyes Blood's "A Lot's Gonna Change" as my favorite album opener of the year.

[Severian]

Originally Posted by Antagon

In a way I understand the sentiment. A lot of the harmonies on this album are stunningly beautiful, it always brings in something new and isn't very repetitive and of course, she's a very gifted vocalist. I'm not completely sold yet though. But I'm a bit biased there. I went in mostly knowing and appreciating her early stuff. So the transition from Folk singer with minimalistic arrangement and a focus on the extraordinary voice to full-on Operatic Pop with electronic touches was a bit jarring. As was the case with the new Weyes Blood Album, my major issues are with some of the choices on the production side. Angel has a really great voice and it really did shine in some of her more folky songs. This album utilizes a lot of reverb and her voice kind of gets buried below a lot of the layers of production. Also, since this seems to be a bit more pop-oriented, I found that there are a lot less sections where she uses her pipes as an instrument like she used to do. I thought that it was more singing along as opposed to really putting herself out there on quite a few of the tracks. Towards the end there are one or two tracks that buck that trend though, which made me happy. Anyway, I'll listen to it again. And I can see myself possibly loving it in the future, but right now it takes some getting used to. But maybe it's on me for missing the transition and having very specific and outdated expectations.

Edit: "Lark" however is amazing and stands toe to toe with Weyes Blood's "A Lot's Gonna Change" as my favorite album opener of the year.

I’ve liked Angel for a while too. I appreciate the transition in sound, and how well it’s executed.

There’s so much folky singer-songwritery stuff out there (surprising for the 2010s, but true) that I’m really less interested in hearing more of it than I am in hearing the artists I like approach it from different angles or blow it to hell as their sounds progress and evolve.

MY WOMAN took a pretty bold step away from folk, and had a bluesy grit to it. All Mirrors feels like a natural progression for me, and I’m on board for it. It is a bit jarring compared to previous albums, but she nails the landing.

[choc e-Claire]

 

Happy 50th

[Severian]

Originally Posted by choc e-Claire

 

Happy 50th

YASSS

[Antagon]

 

[Antagon]

 

[The Soup Nazi]

Originally Posted by Antagon

 

It's that little souvenir of a terrible year...